And Mondrian isn’t an isolated case. In recent weeks, similar post–Public Domain Day claims have surfaced from Fleischer Studios in connection with Betty Boop’s earliest appearances, and from representatives of Harold Lloyd’s estate concerning Safety Last! (1923), which entered the public domain over seven years ago. Different works, different theories—but the same objective: discourage use first, sort out the law later.
"It would be ridiculous to expect Selkirk Musical Theatre Group to be the same as a West End or Broadway show but it's getting up there in many respects - in terms of abilities and production values they have done an amazing job."
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